
In a presentation broadcast in Canada and streamed online globally, other awards included the platform prize - an award chosen by a jury headed by actor Riz Ahmed - going to Indonesian director Kamila Andini’s “Yuni,” a coming-of-age drama about a teenage girl approaching the prospect of an arranged marriage. This year, because of the pandemic, all voting was done online. Normally, festival volunteers dispense ballots to moviegoers on their way out of screenings. The slate of about 100 feature films was down from Toronto’s typical 250 movies but included many of the fall’s most anticipated films - including Denis Villeneuve’s sci-fi spectacle “Dune,” Jane Campion’s Western melodrama “The Power of the Dog” and Pablo Larraín’s Princess Diana biopic “Spencer.” And as of Saturday, only one case of a positive COVID-19 from a festivalgoer was reported by TIFF.īoth “Dune” and “Spencer” didn’t make themselves eligible for the People’s Choice Award, which required both an in-person screening and availability on the festival digital portal. The fall’s other major festivals - in Venice Telluride, Colorado and New York - have opted for fully in-person editions.īut it was also a much more robust TIFF than last year’s almost entirely virtual festival.
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Usually one of the world’s most massive movie showcases, this year’s TIFF was a scaled-down pandemic hybrid, taking place in both socially distanced screenings and virtually online.

The awards wrapped up a muted Toronto International Film Festivalthat has unspooled over the past 10 days. The film, which stars Jamie Dornan, Judi Dench and Ciaran Hinds, will be released Nov. “Belfast,” which first premiered at the Telluride Film Festival, draws from Branagh’s own childhood in Belfast. Those include best-picture winners “12 Years a Slave,” “Green Book” and last year’s pick, Chloé Zhoe’s “Nomadland.” The previous nine winners have all gone on to secure a best-picture Oscar nomination, as have 13 of the last 14 People’s Choice prizewinners. The festival’s top honor, voted on by festivalgoers at TIFF, is widely viewed as an Oscar harbinger. No wonder comic book artists use her as a model for Wonder Woman.Kenneth Branagh’s semi-autobiographical “Belfast,” a black-and-white family drama about the Northern Ireland city during the tumult of the late 1960s, on Saturday won the Toronto International Film Festival’s People’s Choice Award, a telling indicator of Academy Awards chances. So why bother watching, let alone reviewing, such a (pun alert) dog of a movie? Jennifer Wenger is smoking hot, that's why. Just wait til he tries licking his own genitals. The only semi-interesting twist is that the dog - a canine - turns into a PERSON when the moon rises, although not, sadly, endowed with the gift of speech. Then he's bitten by a werewolf, turns into one, and hijinks ensue.

Seems Casper is a hot-head and enjoys confrontation. So five-foot-none Casper Van Dien and his wife (Jennifer Wenger) roll into town with their loyal dog to - naturally - "reconnect" out in the boonies. Police investigation? Next of kin inquiries? What's that? A town that apparently houses a coven? pack? of werewolves, and doesn't mind if the occasional hunter or two get massacred by one of the gang. The flick itself is almost preposterously bad. Reviewed by bfontana-47382 4 / 10 / 10 Bad movie.
